VideoWeek: I flussi di lavoro ingombranti stanno rallentando le campagne di Pubblicità video

Cape.io (Pesca) ha collaborato con VideoWeek su un sondaggio per scoprire le esperienze quotidiane delle persone che lavorano nella pubblicità televisiva e video.

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Cape.io

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Cape.io

Questo è stato originariamente pubblicato sul sito web di Peach. Scopri di più su il rebranding da Peach a Cape.io.

La crescita del trading programmatico ha visto l'acquisto e la vendita di annunci diventare ampiamente automatizzati ed è persino possibile automatizzare ampi settori del processo creativo.

Ma una volta creati gli annunci, il compito apparentemente semplice di gestire i file video e trasferirli tra agenzie creative, agenzie media ed editori/emittenti continua a rappresentare un grande problema per molti nel settore, e continua ad essere un processo molto manuale, che richiede tempo e soggetto a errori.

VideoWeek Pulse ha effettuato un'indagine su 101 agenzie, editori ed emittenti per scoprire quali fossero le loro esperienze con la gestione delle risorse creative. 

Apportare Modifiche Costa Tempo Prezioso

Sia le agenzie che gli editori hanno riferito che il semplice atto di apportare modifiche a un pezzo creativo azzera la distribuzione dei creativi all'inizio del processo. 

Quindi, ad esempio, se un editore sta trattando con un'agenzia media e il file non funziona, devono informare l'agenzia media, che poi ritorna all'agenzia creativa, che poi deve restituire una nuova versione del file all'agenzia media, che poi deve tornare all'editore. Tutto ciò si basa sui tempi di risposta e sulla disponibilità delle persone coinvolte.

Non meno del 63 percento degli editori e il 51 percento delle agenzie ha affermato che apportare modifiche a un pezzo creativo azzera l'intero processo di distribuzione all'inizio.

I Trasferimenti di File Continuano ad Essere un Problema

Anche compiti basilari come caricare, scaricare o visualizzare file video sono ancora ostacolati da problemi tecnici comuni, aggiungendo piccole frustrazioni e ritardi sia per le agenzie che per gli editori.

Il trentasette percento degli editori ha segnalato problemi con il download o la visualizzazione di un file video alcune volte alla settimana, mentre il 27 percento delle agenzie ha riportato di avere questi problemi alcune volte alla settimana.

La Consegna Inefficiente Causa Frequenti Ritardi

La consegna inefficiente dei creativi sta causando frequenti ritardi alle campagne per gli editori, il che ha un effetto a catena sui ricavi. Il quarantadue percento degli editori afferma di sperimentare ritardi nell'ottenere i creativi 'alcune volte alla settimana'.


La Scarsa Qualità di Consegna è il Problema Più Comune

Per entrambe le agenzie e gli editori, il 35 percento dei rispondenti afferma che la scarsa qualità della consegna è il problema più frequente che sperimentano con la consegna degli annunci video digitali. Le risorse non consegnate e che devono essere rinviate è anche un problema comune, con il 35 percento degli editori e il 29 percento delle agenzie che afferma che è il loro fastidio più grande.


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Nota: Questo articolo è stato originariamente pubblicato il 5 maggio su VideoWeek.

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Sei curioso di scoprire le ultime novità nel marketing e nella pubblicità? Iscriviti alla nostra newsletter mensile Promarketers.

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Efficiency without bureaucracy.

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Cape.io connette il tuo team, DAM, ad server, DSP, strumenti e altro ancora, così non è necessario strappare e sostituire.

© 2025 Cape.io. Tutti i diritti riservati

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Contattaci oggi stesso

Vediamo cosa può fare Cape.io.

Automazione Intelligente delle Campagne

Cape.io connette il tuo team, DAM, ad server, DSP, strumenti e altro ancora, così non è necessario strappare e sostituire.

© 2025 Cape.io. Tutti i diritti riservati

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