VideoWeek : Les flux de travail lourds ralentissent les campagnes de publicité vidéo

Cape.io (Peach) a collaboré avec VideoWeek sur une enquête pour découvrir les expériences quotidiennes des personnes travaillant dans la publicité télévisée et vidéo.

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Cape.io

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Cape.io

Ceci a été initialement publié sur le site Web de Peach. Découvrez-en plus à propos de le changement de marque de Peach à Cape.io.

La croissance du trading programmatique a fait que l'achat et la vente de publicités sont devenus largement automatisés et il est même possible d'automatiser de larges pans du processus créatif également.

Mais une fois que les publicités sont créées, la tâche apparemment simple de gérer les fichiers vidéo et de les transférer entre agences créatives, agences médias et éditeurs/diffuseurs continue d'être un sérieux casse-tête pour beaucoup dans l'industrie, et cela reste un processus très manuel, chronophage et sujet aux erreurs.

VideoWeek Pulse a réalisé une enquête auprès de 101 agences, éditeurs et diffuseurs pour connaître leurs expériences avec la gestion des actifs créatifs. 

Les Modifications Coûtent un Temps Précieux

Les agences et les éditeurs ont rapporté que le simple fait d’apporter des modifications à une pièce créative réinitialisait la distribution des créations au début du processus. 

Par exemple, si un éditeur traite avec une agence média et que le fichier ne fonctionne pas, ils doivent informer l'agence média, qui retourne alors à l'agence créative, qui doit ensuite renvoyer une nouvelle version du fichier à l'agence média, qui doit ensuite revenir à l'éditeur. Tout cela repose sur les temps de réponse et la disponibilité des personnes impliquées.

Pas moins de 63 pour cent des éditeurs et 51 pour cent des agences ont déclaré que faire des changements à une pièce créative réinitialisait l'ensemble du processus de distribution au début.

Les Transferts de Fichiers Restent un Problème

Même les tâches aussi basiques que le téléchargement, le téléversement ou la visualisation de fichiers vidéo sont encore victimes de problèmes techniques communs, ajoutant de petites frustrations et des retards pour les agences et les éditeurs.

Trente-sept pour cent des éditeurs ont signalé des problèmes de téléchargement ou de visualisation d'un fichier vidéo quelques fois par semaine, tandis que 27 pour cent des agences ont déclaré avoir ces problèmes quelques fois par semaine.

Une Livraison Inefficace Cause des Retards Fréquents

Une livraison inefficace de créations cause des retards fréquents aux campagnes pour les éditeurs, ce qui a un effet domino sur les revenus. Quarante-deux pour cent des éditeurs disent qu'ils subissent des retards lors de la réception de créations « quelques fois par semaine ».


Une Livraison de Mauvaise Qualité est le Problème le Plus Fréquent

Pour les agences et les éditeurs, 35 pour cent des répondants disent que la mauvaise qualité de livraison est le problème le plus fréquent avec la livraison de publicités vidéo numériques. Les actifs qui ne sont pas livrés et qui doivent être renvoyés sont également un problème commun, avec 35 pour cent des éditeurs et 29 pour cent des agences affirmant que c'est leur plus grande nuisance.


Téléchargez le rapport complet

Remarque : Cet article a été initialement publié le 5 mai sur VideoWeek.

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© 2025 Cape.io. Tous droits réservés

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Prendre contact

Découvrez tout ce que Cape.io peut faire pour vous

Automatisation Intelligente des Campagnes

Cape.io connecte votre équipe, votre DAM, vos ad servers, vos DSP et vos autres outils, sans qu’il soit nécessaire de tout remplacer

© 2025 Cape.io. Tous droits réservés

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