“The single biggest reason your ads look crap”

Jason Trout, our Global Chief Digital Officer dropped a load of truth bombs at MAD//Anywhere London

Author

Cape.io

Author

Cape.io

This was originally posted on the Peach website. Find out more about the rebrand from Peach to Cape.io.

Scroll to the bottom to watch the talk if you'd prefer.

​I’m looking beyond linear and into convergent and digital environments. In short, the reason your ads look crap is because you probably don’t know what happens to your ad copy once its been approved - or worse you may choose not to care.

How can this be I hear you say? 

To quote Yale professor Edward Tufte “There are only two industries that call their customers 'users': illegal drugs and software”

We know Quantity is a key part of successful campaigns and so is Quality but it has to be traded away as a compromise, doesn't it? Getting creative right is the single most important choice you can make, but can you have Quantity of Quality? A crap ad is still a crap ad wherever you put it.

There are three key parts to this equation:

  1. Firstly, does the execution do the job it is designed to do for the intended audience. This is subjective.

  2. Secondly, with the demise of the cookie, context is back! Is the content going to support or jar with the environment or device, this is also subjective.

  3. Lastly, is the technical quality of the asset correct for the intended device or aspect ratio and platform. This is precise, system driven and easy to resolve.

Lots of attention is paid to the first two and very little to the last. I know it’s not  particularly sexy, and as drug dealers know, changing habits is hard. 

Linear

In the overall video ecosystem the good and the bad coexist. On the Linear and BVoD side of things it’s a “One to many” broadcast environment. Targeting is broad, but the infrastructure and trust in the medium is very high - despite shortcomings in audience measurement. 

Advertisers don’t worry about ads appearing in inappropriate content - it’s regulated. Nor do advertisers worry about ads appearing in a break alongside a competitor - It’s governed. 

It’s well grooved and universally adopted. As such you can get a broadcast ad from final finish to broadcaster in 2 days, sometimes 1, we’ve even done it in under 4 hours.  

Digital

So over to camp Digital, let’s see how they’re getting on. They’ve got huge technical investment in the pipes to access highly targeted audiences at scale in real time. Clever use of first and third party data to build and nurture relationships across multiple touchpoints. 

Finally, ambitious media plans seek out tribes of passionate consumers nestling in curated groups across the internet. With all of this great tech and capability you would expect digital to be the gold standard in speed and efficiency. But it’s not. It’s not even close. 

We know from Clients and Media Agencies that it can take 2 - 3 WEEKS to get a digital campaign live. Yes, that’s 2-3 weeks - that’s 7 to 10 times as long as old school Linear or BVoD. That means the Land Rover Finance deal or the Gucci Sale that ended 3 days ago was never actually seen by huge swathes of online customers as the correct copy only landed today. 

In our own independent research that we commissioned with Colab shamefully revealed that more than three quarters of all digital campaigns start late - this is just not good enough. 

 

Stretched 16:9 aspect ratio for Disney +

 

Original 4:3 aspect ratio on Fox

Above you can see that a 4:3 piece of content has been stretched to fit a 16:9 aspect ratio. The stretched version completely misses the visual gag. It’s the same issue for your highly valuable advertising copy. 

So, why should you care about this deeply unsexy stuff?

  • Clients: You want ads to be experienced in the best possible way 

  • Creative or Post production: You want your work enjoyed across the platforms and devices your clients customers inhabit.

  • Media Agency folk: You are fed up with being kicked every day,  for campaigns starting late. 

  • Programmatic buyers: You've got the best desk setup - but unfulfilled bids because of errors which means no creative is served.  

  • Publishers: You fall off the plan because they didn’t make the file to your spec, meaning the impressions got served on YT or FB, again.

So, if you are happy to spray gun out crap ads, and you only see users, then keep your head and let your dealers run the workflows. Users will rightly see you as a low effort organisation. Or alternatively, start giving a s**t


Love your customers, at scale, so they experience brand messages how they were intended, in context and on time. Change your dirty habits, automate your workflows,  enjoy the Quantity of Quality with your customers - they deserve you, and you may just deserve them in time.  

Feel free to watch my talk here:

 

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Curious about the latest in marketing and advertising?
Subscribe to our monthly Promarketers newsletter.

Mar 30, 2026

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Navigating Channel 4’s 2026 closed caption mandate

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Many global advertisers are chasing the same ideal: scale without losing relevance.

Consistency without uniformity.
Efficiency without bureaucracy.

It sounds simple. In practice, it’s one of the hardest tensions to resolve in modern marketing.

The global vs. local challenge isn’t new, but it’s becoming more urgent. As brands expand across markets, channels, and cultures, the question is no longer whether you should scale globally, but how you do so without erasing the nuance that makes marketing effective in the first place.

Everyone is looking for this balance. Very few get it right.

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EPTVI Initiative launches Stage Two to help programmatic TV scale across Europe’s largest advertising markets

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News

Stay ahead of the curve

Curious about the latest in marketing and advertising?
Subscribe to our monthly Promarketers newsletter.

Mar 30, 2026

Operationalizing AI in advertising: Why it must be embedded, not bolted on

Operationalizing AI in advertising isn’t about adding another tool to your stack. It’s about embedding intelligence into the systems that govern creative production, compliance, and delivery, so automation scales without creating more operational friction.

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As ad compliance requirements evolve in 2026, UK confectionery brands face new restrictions on less healthy food (LHF) advertising. With the January 5 watershed now in effect, ad quality assurance systems must validate timing, placement, and product identifiability to avoid clearance failures this Easter season.

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Feb 27, 2026

Navigating Channel 4’s 2026 closed caption mandate

As ad compliance requirements tighten across the UK and Europe, closed captioning has evolved from an accessibility checkbox to a strategic necessity. Whether you're managing CTV campaigns or social media creative, automated ad testing for caption quality is no longer optional - it's fundamental to reaching today's fragmented, multi-screen audiences.

The advertising landscape is facing a seismic shift. By March 1, Channel 4 will become the first UK broadcaster to mandate closed captions across all advertising - including linear TV, streaming, and sponsorships.

The mandate is  a redefined standard for global inclusivity. Here is everything you need to know about the new mandate and how to stay ahead of the curve.

Feb 26, 2026

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Scaling global marketing without losing local relevance requires more than brand guidelines and templates - it requires a creative automation platform designed for both global control and local flexibility. Most systems optimize for standardization, but scaling ad creative production across markets demands architecture that enables creative variation and adaptation by local experts without fragmenting brand governance.

Many global advertisers are chasing the same ideal: scale without losing relevance.

Consistency without uniformity.
Efficiency without bureaucracy.

It sounds simple. In practice, it’s one of the hardest tensions to resolve in modern marketing.

The global vs. local challenge isn’t new, but it’s becoming more urgent. As brands expand across markets, channels, and cultures, the question is no longer whether you should scale globally, but how you do so without erasing the nuance that makes marketing effective in the first place.

Everyone is looking for this balance. Very few get it right.

Feb 11, 2026

EPTVI Initiative launches Stage Two to help programmatic TV scale across Europe’s largest advertising markets

Broadcasters, streamers, agencies and ad tech companies including Google Ad Manager, Equativ, Adform, LiveRamp, The Trade Desk, FreeWheel and Cape.io begin work on practical solutions to reduce complexity and speed up adoption.

Get in touch

Let us show you what Cape.io can do.

Intelligent Campaign Automation

Cape.io connects up your team, DAM, ad servers, DSPs, tools, and more, so you don’t need to rip and replace.

Copyright © 2026 Cape.io all rights reserved

English

Get in touch

Let us show you what Cape.io can do.

Intelligent Campaign Automation

Cape.io connects up your team, DAM, ad servers, DSPs, tools, and more, so you don’t need to rip and replace.

Copyright © 2026 Cape.io all rights reserved

English

Get in touch

Let us show you what Cape.io can do.

Intelligent Campaign Automation

Cape.io connects up your team, DAM, ad servers, DSPs, tools, and more, so you don’t need to rip and replace.

Copyright © 2026 Cape.io all rights reserved

English